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Andrei Tarkovsky About His Film Art in His Own Words

tarkovsky.jpg

First Edition, First Printing

Author: Vadim Moroz
Soft Cover, 165 pages
b/w illustrations
5.5 x 8.5 inch
Pub.-Date Dec. 2008 / Jan. 2009
ISBN 0-9714982-8-8
ISBN 978-097149828-0
 
Price $22.50



ANDREI TARKOVSKY ABOUT HIS FILM ART

in His Own Words

 CONVERSATIONS AND DISCUSSIONS in COLLEGE GLIENICKE, BERLIN

During seven days in March 1984, Andrei Tarkovsky laid out, day by day his film theory, his philosophy, opinions and principles. It was the first time that Tarkovsky had to talk about his philosophy and film theory over such long time period.

The book is illustrated with the drawings created in March 1984 by Andrei Tarkovsky and photographs.


Contents:

Tarkovsky in Berlin, by Vadim Moroz
Introduction. How Tarkovsky Came to Berlin. Tarkovsky's Main Problem; as Lecturer; about Chekhov. Friedrich Gorenstein. About Renaissance. Tarkovsky and Berlin's Officials. Hoffmanniana. The Question of Commercial Success of Artistic Films.

Andrei Tarkovsky in His Own Words (March 1984)
About Eisenstein and "Trinity Theory"; "Ivan's Childhood"; "Andrei Rublev". Tarkovsky about His Films, Nature, Film-Makers and Viewers. Film, Music and Pavlov's Dog. About Spielberg and Hollywood. Music in Film. Art and Creation. Stalker. Disaster and Stalker. The Grave Sin. About Art; Actors. The Basics of Film Aesthetics. Nostalghia. Tarkovsky's Aesthetics

A Few Aspects of Tarkovsky's Art, by V. Moroz
Artistic Image ("Icon", "Obras"). Composition as Element of Film Aesthetics. Time as Medium for the Artist. Development of Tarkovsky's Concept of "Memory"
Appendix: Catalog of Drawings by Andrei Tarkovsky created during the Conversations in Castle Glienicke, Berlin, Germany, March 1984.

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