Andrei Tarkovsky About His Film Art in His Own Words
First Edition, First Printing
Author: Vadim Moroz
Cover, 165 pages
5.5 x 8.5 inch
Pub.-Date Dec. 2008 / Jan.
TARKOVSKY ABOUT HIS FILM ART
in His Own Words
AND DISCUSSIONS in COLLEGE GLIENICKE, BERLIN
During seven days in March 1984, Andrei Tarkovsky laid out, day by day his
film theory, his philosophy, opinions and principles. It was the first time that Tarkovsky had to talk about his philosophy
and film theory over such long time period.
The book is illustrated with the drawings created in March 1984
by Andrei Tarkovsky and photographs.
Contents:A Few Aspects of Tarkovsky's Art, by V. Moroz
in Berlin, by Vadim Moroz
How Tarkovsky Came to Berlin. Tarkovsky's Main Problem; as Lecturer; about Chekhov. Friedrich Gorenstein. About Renaissance.
Tarkovsky and Berlin's Officials. Hoffmanniana. The Question of Commercial Success of Artistic Films.
Andrei Tarkovsky in His Own Words (March 1984)
About Eisenstein and
"Trinity Theory"; "Ivan's Childhood"; "Andrei Rublev". Tarkovsky about His Films, Nature, Film-Makers
and Viewers. Film, Music and Pavlov's Dog. About Spielberg and Hollywood. Music in Film. Art and Creation. Stalker. Disaster
and Stalker. The Grave Sin. About Art; Actors. The Basics of Film Aesthetics. Nostalghia. Tarkovsky's Aesthetics
Artistic Image ("Icon", "Obras").
Composition as Element of Film Aesthetics. Time as Medium for the Artist. Development of Tarkovsky's Concept of "Memory"
Appendix: Catalog of Drawings by Andrei Tarkovsky created during the Conversations
in Castle Glienicke, Berlin, Germany, March 1984.
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